Extending the work of Krause and North (2014) on contextual listening, the present research considered whether there would be differences in the music selected for playlists concerning two loverelated contexts, “romance” and “break-up”. Specifically, it was hypothesised that the preferred music would (1) be characterized by adjectives signifying the broader situation, (2) differ in terms of Mehrabian and Russell’s (1974) Pleasure-Arousal-Dominance (PAD) dimensions, and that (3) there may be differences in how similar participants think their playlist is to that made by others for the same situation. Based on previous work regarding differences in cultural context of popular love songs (Cachia & Tsai, 2021), an additional research question c...
In this paper we explore connections between players’ preferences in gameplay and their desire to li...
User models that capture the musical preferences of users are central for many tasks in music inform...
This study introduced an online version of five new music preference scales (i.e., Music Use, Music ...
Background: Extending previous work examining contextual listening through the lens of creating and ...
The present research considered everyday music listening in the context of eight situations, classif...
Recommender systems still mainly base their reasoning on pairwise interactions or information on ind...
Music is present in many situations and used for various functions. Despite its usefulness, there is...
Despite the ubiquity of music and its importance to one’s identity, there has been limited research ...
The Audio Music Similarity and Retrieval (AMS) task in the annual Music Information Retrieval eXchan...
With the advent of Internet and resulting data boom, Recommender Systems have come to rescue by filt...
Recent studies have summarized reported music preferences by genre into four broadly defined categor...
Do people from different cultural backgrounds perceive the mood in music the same way? How closely d...
Music systems that generate playlists are gaining increasing popularity, yet ways to select songs to...
Music preferences are strongly shaped by the cultural and socio-economic background of the listener,...
This study uses Mehrabian and Russell's () Pleasure-Arousal-Dominance (PAD) model to consider how re...
In this paper we explore connections between players’ preferences in gameplay and their desire to li...
User models that capture the musical preferences of users are central for many tasks in music inform...
This study introduced an online version of five new music preference scales (i.e., Music Use, Music ...
Background: Extending previous work examining contextual listening through the lens of creating and ...
The present research considered everyday music listening in the context of eight situations, classif...
Recommender systems still mainly base their reasoning on pairwise interactions or information on ind...
Music is present in many situations and used for various functions. Despite its usefulness, there is...
Despite the ubiquity of music and its importance to one’s identity, there has been limited research ...
The Audio Music Similarity and Retrieval (AMS) task in the annual Music Information Retrieval eXchan...
With the advent of Internet and resulting data boom, Recommender Systems have come to rescue by filt...
Recent studies have summarized reported music preferences by genre into four broadly defined categor...
Do people from different cultural backgrounds perceive the mood in music the same way? How closely d...
Music systems that generate playlists are gaining increasing popularity, yet ways to select songs to...
Music preferences are strongly shaped by the cultural and socio-economic background of the listener,...
This study uses Mehrabian and Russell's () Pleasure-Arousal-Dominance (PAD) model to consider how re...
In this paper we explore connections between players’ preferences in gameplay and their desire to li...
User models that capture the musical preferences of users are central for many tasks in music inform...
This study introduced an online version of five new music preference scales (i.e., Music Use, Music ...